Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 The intimately scaled woodcuts, engravings and sheet: 31.3 × 42.9 cm (12 5/16 × 16 7/8 in.) etching, engraving, and drypoint with Captain Baillie's rework sheet: 11 1/4 x 15 3/4 in., frame: 24 x 29 in. The story goes that Rembrandt wanted to buy back a copy of the engraving and had to pay the enormous amount of one hundred … 02/976. Several etchings by Rembrandt van Rijn are on view, including Self-Portrait with Saskia (1636) and Christ Healing the Sick (The Hundred Guilder Print) (1647-49). Artist(s) Artwork Hundred Guilder Print. NOT ON VIEW. The Pharisees Debating (Fragment from the Hundred Guilder Print) Uses same medium. (27.9 x 39.7 cm). Carl Schlösser (Lugt 636; this impression cited). NOT ON VIEW. Jozef en de vrouw van Potifar Among Rembrandt’s prints, The Hundred Guilder Print is comparable to the Night Watch (1642) among his paintings. Christ Preaching (The Hundred Guilder Print) ... Medium/Technique Etching, drypoint, and engraving. Other articles where Hundred Guilder Print is discussed: Rembrandt: The myth of Rembrandt’s fall: …Jan Six and especially the Hundred Guilder Print, a large (unfinished) print with episodes from chapter 19 of The Gospel According to Matthew. Famous though it may be, the etching is not representative of Rembrandt's work. The Hundred Guilder Print. John Postle Heseltine. Support: Cream(3) paper laid down on cream(3) wove paper. Prints by Rembrandt and His Circle . Collection. Hundred Guilder Print - part 3 (Baillie).jpg. Walker Art Center. The Hundred Guilder Print , which has been interpreted as a depiction of the entire nineteenth chapter of the Gospel of St. Matthew, combines various aspects of Christ's preachings, including the healing of the multitudes, and the gathering to him of children and those who had been forsaken. Details. Original vintage artworks from RoGallery. Please see the listed item specifics above for the details and message us with any questions. Lot 164: Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669), Christ Healing the Sick (The Hundred Guilder Print), circa 1649, etching, engraving, mezzotint, and drypoint, on laid Japan paper., 15 1/2 x 11in (39.5 x 28 cm). Credit Line. Rembrandt worked on the Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. He probably completed it in 1649. As well as being a master artist, Rembrandt was a master etcher and has been called the greatest etcher of all time. (printed late 17th century?) William Baillie (English, 1723–1792) about 1649 Medium/Technique Etching, drypoint, and engraving. Creator: Rembrandt ( Rembrandt van Rijn) Date Created: ca. He worked on the so-called Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. DOWNLOAD. DOWNLOAD. Christ Preaching (The Hundred Guilder Print) ... Medium/Technique Etching, drypoint, and engraving. Credit line: Bequest of Julia Morgan Marlatt. This print quickly earned the nickname “the Hundred Guilder Print” because it began to fetch extraordinary triple digit prices in an era when most prints were worth far less than one guilder. Nicolaes Maes has turned a biblical moment into a scene from his own time, illustrating part of the Gospel of Matthew (19.13–14): ‘Then there were brought unto him little children, that he should put his hands on them, and pray: and the disciples rebuked them. Robert Nanteuil. Accession Number. (#783066) Christ Preaching (The Hundred Guilder Plate) Rembrandt’s most famous etching is named after the considerable sum for which he sold the plate. Christ is healing the sick and preaching, insisting on the sanctity of childhood. Acclaimed as the apotheosis of Rembrandt’s etched prints, The Hundred Guilder Print , with its large size and incredibly detailed depictions of human expression, is Rembrandt’s most desirable print. Please see the listed item specifics above for the details and message us with any questions. Credit Line. File:Rembrandt van Rijn - Christ Preaching (The Hundred Guilder Print) - Google Art Project.jpg Version at the National Gallery of Art, Washington File:Rembrandt Harmensz. Mit oder ohne Gemälderahmen. Dimensions Platemark: 28 x 39 cm (11 x 15 3/8 in.) Etching on laid paper, Plate: 11 x 15 5/8 in. 1639-49? Rembrandt (1606 - 1669) Date. Not MRK 2010. The Hundred Guilder Print. Title: The Hundred Guilder Print. Knoedler. Gift of R. Horace Gallatin. Auf Leinwand gespannt oder Foto. Medium: etching. Hundred Guilder (Print) Buy Rembrandt Prints Now from Amazon. etching, engraving, and drypoint with Captain Baillie's rework sheet: 11 1/4 x 15 3/4 in., frame: 24 x 29 in. This work is in very good condition with a distinct plate mark and wide margins. Have one to sell? Acclaimed as the apotheosis of Rembrandt's etched works, The Hundred Guilder Print (Christ Healing the Sick), c. 1649, with its large size and incredibly detailed depictions of human expression, is Rembrandt's most desirable print. / The Hundred Guilder Print The Hundred Guilder Print. etching, drypoint and burin on European (white) paper. From National Gallery of Art, Washington, D.C., Leopold Flameng after Rembrandt van Rijn, The Hundred Guilder Print, Etching from Grogan & Company on Invalid date EDT. Sheet: 28.1 x 39.2 cm (11 1/16 x 15 7/16 in.) The Hundred Guilder Print Origin Holland Date 1643–1653 Medium Etching and drypoint on tan Japanese paper Dimensions 279 × 393 mm (sheet trimmed to platemark) Credit Line Bequest of Ethel Wrenn Reference Number 1924.617 Medium: Etching, drypoint, and engraving. Rijksmuseum Amsterdam, Netherlands. Bartsch 74 ii(2), 27.8 … 1649 Image Size: actual – 15.25 x 11 inches printed on larger 18 x 13 inch paper. The Hundred Guilder Print. Baroque. Rembrandt - Rembrandt - Night Watch: The artist with whom Rembrandt was most preoccupied during the second half of the 1630s was Leonardo da Vinci, and in particular his Last Supper (1495–98), which Rembrandt knew from a reproduction print. Medium: Etching, engraving, and drypoint; second state of two. The Hundred Guilder Print is an etching by Rembrandt. Hundred Guilder Print by Baillie.jpg. "The Hundred Guilder Print" [1959.3757.000.000], Unknown Copier, Rembrandt van Rijn Etching, drypoint, and engraving. Christ Healing the Sick: The Hundred Guilder Print. Compositionally, "The Hundred Guilder Print" is a curious mix of techniques and styles. Brooklyn Museum, Gift of Mr. and Mrs. William A. Putnam, 31.779 (Photo: Brooklyn Museum, CUR.31.779.jpg) Hundred Guilder Print - part 1 (Baillie).jpg 893 × 671; 322 KB. Accession Number. Google apps. Original vintage artworks from RoGallery. As with many of Rembrandt’s works, he referenced a biblical scene. From National Gallery of Art, Washington, D.C., Leopold Flameng after Rembrandt van Rijn, The Hundred Guilder Print, Etching William Hogarth, English November 10, 1697 – October 26, 1764 Hogarth was a painter, printmaker, editorial cartoonist, and social critic. Hundred Guilder Print - part 4 (Baillie).jpg. |nl= De predikende Christus (De Honderdguldenprent). Connoisseurs began to build collections of particularly fine impressions. etching, drypoint and burin on japan paper. Rembrandt's etchings show a new depth of feeling lent by the intimacy of the print medium. Rembrandt Christ Preaching Hundred Guilder Etching. Dimensions Platemark: 27.5 x … 74, H. 236, BB 49-I, B&W 74: Medium: Drypoint and Etching: Image: 15 5/8 in x 11 in (39.7 cm x 27.9 cm) Sheet: 16 1/2 in x 11 3/4 in (41.9 cm x 29.8 cm) Not on View. Rembrandt’s “Christ Healing the Sick” or “The Hundred Guilder Print,” c. 1648. [2] Not only was the subject of the Hundred Guilder Print compelling, as it combined several disparate vignettes from chapter 19 of the Gospel of On view in this exhibition are 14 engravings from The Harlot’s Progress (1732) and Rembrandt's etchings show a new depth of feeling lent by the intimacy of the print medium. For example, in “The Hundred Guilder Print” and “Self-Portrait Etching at a Window,” in addition to etching, Rembrandt used The technical innovations of artists like Rembrandt van Rijn and Francisco Goya pushed the boundaries of the medium and further elevated printmaking as an art form. (27.9 x 39.7 cm). Dutch, 1606–1669. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Credit Line Harvey D. Parker Collection—Harvey Drury Parker Fund. Artist/printmaker. ‘The Hundred Guilder Print’ (c. 1648), by Rembrandt, depicts almost all the action of Matthew 19. Rembrandt produced etchings for most of his career, from 1626 to 1660, when he was forced to sell his printing-press and practically abandoned etching. Rembrandt, The Hundred Guilder Print. The Hundred Guilder Print (Hind 236; see 29.107.35) provided the theme, the overall design (in reverse), and motifs such as the man on the cart and the camels at the edge. The Hundred Guilder Print, common in middle or late pulls, is exceedingly rare in truly early impressions. Descent from the Cross by Torchlight By same artist. He worked on the so-called Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. The Hundred Guilder (Christ Healing the Sick) etching on water marked paper (15 5/8x 11in) G. Pischmer Raggedy Ann and Andy watercolors (17 3/16 in x 10 5/8 in) Jeanne Leger Oil on canvas (5 3/4 in x 10 5/8in) German Village - watercolor (15 3/4 in x 19 in) German etching (12 in x 16 in) The Tribute Money Created around the same time. 1649. (29.8 x 41 cm) Medium. Rembrandt “was very interested in the effect that he could produce,” Orenstein says. Christ Healing the Sick: The Hundred Guilder Print. The Hundred Guilder Print (Christ Healing the Sick with Small Children), ca. Rembrandt worked on the Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. Dimensions Platemark: 28 x 39 cm (11 x 15 3/8 in.) Wir fertigen Ihr Gemälde genau nach Ihren Wünschen. 2000, p. 76. Hinterding et al. 1649. Another way Rembrandt revolutionized this medium was by blending different printmaking techniques within his works. Some of the most famous Rembrandt prints include Christ Preaching–also known as the hundred guilder print which was a widely popular print that sold for a hundred guilders in Rembrandt’s lifetime–The Windmill, The Rest on the Flight into Egypt, The Tribute Money, Self Portrait with Saskia, The Shell, etc. (28 x 39.3 cm) Type: Print. The impression of the immortal Hundred-guilder print on which the poem was penned is in the Bibliothèque de France. The Hundred Guilder Print. Christ Preaching (The Hundred Guilder Plate) Rembrandt’s most famous etching is named after the considerable sum for which he sold the plate. Artwork Medium. 1649. Piece: The Hundred Guilder Print, Medium: etching and drypoint Year:1647. Original vintage artworks from RoGallery. Credit Line Harvey D. Parker Collection—Harvey Drury Parker Fund. Design & Illustration. Accession Number P6754. Hochwertige Museumsqualität aus österreichischer Manufaktur. The Artist Drawing from the Model From related movement. He probably completed it in 1649. Drawings related to the etching of Christ preaching and healing the sick, known as The Hundred-guilder print and completed in 1648 (Bartsch 74) Dimensions 23-7/8 x 26 inches unframed. Artist … Rembrandt van Rijn (Dutch, 1606-1669) Netherlands, 17th century. Following. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Date: ca. Details. Rembrandt Van Rijn Christ Preaching (The Hundred Guilder Print) - Medium - Matte - Unframed: Amazon.com.au: Home ORDER PRINT. Title: The Hundred Guilder Print. Rembrandt Christ Preaching Hundred Guilder Etching. ... Rembrandt Print on Card Stock, Abraham And Isaac. Sheet: 28.1 x 39.2 cm (11 1/16 x 15 7/16 in.) Royal Academy of Arts. van Rijn (Dutch, 1606–1669) Reworked by: Capt. The Hundred Guilder Print, a wallpaper wall mural from Magic Murals. ... Our murals are available in almost any size you'd like but the standard sizes are small, medium and large. "The Hundred Guilder Print" [1959.3756.000.000], Unknown Copier, Rembrandt van Rijn What is a print? Following that are 14 engravings from The Harlot’s Progress (1732) and The Rake’s Progress (1735), “moral progress” melodramas by William Hogarth. The print is widely known as The Hundred Guilder Print, but for a long time no one really knew why. Skip to main content. Christ Preaching (Hundred Guilder Print) Rembrandt c. 1646 - c. 1650. The persistence of the nickname of Rembrandt’s Hundred Guilder Print is remarkable. Schlösser sale, Frankfurt, June 7 et seq ., 1880, Lot 509, sold for 4,100 marks to Thibaudeau. Accession Number P6754. Artist: Rembrandt van Rijn (Dutch, 1606-1669) Date: c. 1649 Medium: Etching and drypoint on ivory colored Japanese paper, State II Dimensions: plate: 11-1/8 x 15-1/2 in. Medium. Retouched by Captain William Baillie, Irish, 1723 - 1818 plate: 28 x 39.3 cm (11 x 15 1/2 in.) Rembrandt van Rijn. The Hundred Guilder Print Origin Holland Date Artist's working dates 1626–1669 Medium Etching on paper Dimensions 276 × 395 mm (image/plate); 282 × 402 mm (sheet) Credit Line Gift of J. Lionberger Davis Reference Number 1965.848 Museum: National Gallery of Art, Washington DC. Christ Preaching (The Hundred Guilder Print) Rembrandt Harmensz. Christ Preaching (The Hundred Guilder Print) Rembrandt Harmensz. Medium intaglio on paper. sheet: 28.2 x 39.5 cm (11 1/8 x 15 9/16 in.) Rembrandt van Rijn; Known for: Painting, printmaking, drawing: Notable work: Self-portraits The Anatomy Lesson of Dr. Nicolaes Tulp (1632) Belshazzar’s Feast (1635) The Night Watch (1642) Bathsheba at Her Bath (1654) Syndics of the Drapers’ Guild (1662) The Hundred Guilder Print (etching, c. 1647–1649) Hence the title Hundred Guilder Print. A prolific painter, draftsman, and etcher, Rembrandt van Rijn is considered the greatest artist of Holland's Golden Age. "Small Prints, Big Artists" presents more than 100 masterworks from the Carnegie Museum of Art’s exceptional collection of more than 8,000 prints. Date 1957. van Rijn (Dutch, 1606–1669) Reworked by: Capt. Five states exist according to Nowell-Usticke before the reworking of the plate by Captain William Baillie in 1775, with approximately 125-225 known impressions (Usticke 12, B 74). The nickname of this masterpiece refers to the large amount of money someone allegedly paid for it in the mid 1600s. c. 1649. Etching on laid paper, Plate: 11 x 15 5/8 in. Rembrandt, The Hundred Guilder Print (Christ ... Artist: Rembrandt (1606 - 1669) Title: The Hundred Guilder Print (Christ Healin ... Reference: B. 74, H. 236, BB 49-I, B&W 74 Medium: Drypoint and Etching 11 more rows ... 1943.3.7173. Dimensions Platemark: 27.5 x … Rembrandt was justly celebrated for his gifts as a draughtsman, and clearly considered drawings an art in themselves. Rembrandt, The Hundred Guilder Print (Christ Healing the Sick), c. 1649: Artist: Rembrandt (1606 - 1669) Title: The Hundred Guilder Print (Christ Healing the Sick), c. 1649: Reference: B. 1649., incorporates a series of episodes described in chapter 19 of the Gospel of Saint … "The Hundred Guilder Print" [1959.3757.000.000], Unknown Copier, Rembrandt van Rijn One of his most famous etchings is Christ Healing the Sick better known as the Hundred Guilder Print (1649). Christ Preaching (The Hundred Guilder Print), ca. The Hundred Guilder Print is an etching by Rembrandt.The etching's popular name derives from the large sum of money supposedly once paid for an example. Rembrandt was one of the few artists who were internationally renowned during his lifetime. image: 28 × 39.3 cm (11 × 15 1/2 in.) Dimensions. Rembrandt Van Rijn Christ Preaching (The Hundred Guilder Print) - Medium - Archival Matte - Framed: Amazon.com.au: Home Rosenwald Collection. The Hundred Guilder Print (Christ Healing the Sick with Small Children), ca. This print quickly earned the nickname “The Hundred Guilder Print” because it began to fetch extraordinary triple digit prices in an era when most prints were worth far less than one guilder. Christ Healing the Sick (The Hundred Guilder Print) (1647-49). It is so named The Hundred Guilder Print due to the myth ofa large sum of money supposedly once paid for an impression. Rembrandt was fascinated with the social outcast and those on the fringes of Dutch society. 278 mm x 395 mm. Print. The Cleveland Museum of Art, Cleveland, OH (October 14, 1980-January 18, 1981). van Rijn, Dutch (active Leiden and Amsterdam), 1606 - 1669. the sick. Label Text Jesus seems to be the source of light in the center of this monumental print, called the Hundred Guilder Print for the high price it commanded in seventeenth-century Holland. van Rijn - Christ with the Sick around Him, Receiving Little Children (The 'Hundred Guilder Print') - Google Art Project.jpg "The Hundred Guilder Print" [1959.3756.000.000], Unknown Copier, Rembrandt van Rijn It goes without saying that it is only by looking at the best examples that one can appreciate the technical brilliance and the spiritual content of this famous print. Hundred Guilder Print - part 2 (Baillie).jpg. Sold. Uses same medium. Uses same medium. The plate was acquired by Captain William Baillie, and reworked in 1775. W. Benoni White (Lugt 2592). The Cleveland Museum of Art, Cleveland, OH (October 14, 1980-January 18, 1981). View sold price and similar items: REMBRANDT VAN RIJN, Dutch 1606-1669, Christ Healing the Sick: The Hundred Guilder Print, etching, engraving, and drypoint, sheet: 11 1/4 x 15 3/4 in., frame: 24 x 29 in. He was the first to develop etching to a true artistic medium. Every 1 of our thousands of wallpaper murals can be custom sized to your specs. Etching, drypoint and engraving. See Sold Price. The group of Pharisees to the left of Jesus is faintly drawn, even slightly cartoonish in appearance. Christ Preaching (The Hundred Guilder Print) Date: 1649 (?) Also showcased was the Morgan's pristine impression of one of Rembrandt's most ambitious compositions, Christ Preaching, popularly known as "The Hundred Guilder Print." Dimensions: plate: 11 x 15 1/2 in. Tradition has it that Rembrandt had to pay one hundred guilders to by a copy of his own work. Zoom Image. The Hundred Gilder Print from Rembrandt was completed in 1649, at which point the artist was in his early forties. Christ Preaching (The Hundred Guilder Print), c. 1649. All Mediums. 1649. ... christ, the hundred guilder, hundred guilder, hundred guilder, christ preaching rembrandt, christ preaching by rembrandt, christ healing the sick, de predikende christus, de honderdguldenprent. Rembrandt Harmensz. Many consider this print the apotheosis of Rembrandt’s activity in etching. This was contrary to the thinking of other artists of his time, for whom drawing was a many of doing a rough study prior … A few years ago, a letter written in 1654 was discovered, and in it the correspondent expressed his astonishment that an impression had sold for over 100 guilders. 1649 Etching The Huntington Library, Art Collections, and Botanical Gardens, Edward W. and Julia B. Bodman Collection; 72.62.384 Wikimedia Commons image page Description Artist {{Creator: Rembrandt}} Author Title {{LangSwitch |en= Christ Preaching (The Hundred Guilder Print) . Author: Leopold Flameng after Rembrandt van Rijn. ORDER PRINT. Rembrandt, Christ among the sick, allowing the children to come to him: “The hundred-guilder print,” ca. Object number. Not on View. Christ Preaching | The Hundred Guilder Print by Rembrandt Baseball Cap. (28 x 39.3 cm) Classification: Prints. Hundred Guilder Print. By OrcaArtGallery. Even the Hundred Guilder Print (236) holds its unrivalled place in the art of etching rather for the genius that overcame supreme difficulties than for the supreme fitness of the style in relation to the medium. William Baillie (English, 1723–1792) about 1649 Medium/Technique Etching, drypoint, and engraving. Lot 164: Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669), Christ Healing the Sick (The Hundred Guilder Print), circa 1649, etching, engraving, mezzotint, and drypoint, on laid Japan paper., 15 1/2 x 11in (39.5 x 28 cm). (28.3 x 39.4 cm); sheet: 11-3/4 x 16-1/8 in. Dimensions. Title: The Flight Into Egypt. Christ Preaching (The Hundred Guilder Print), c. 1643/1649. Rembrandt, Study for the Hundred-guilder print Paris, Louvre References: Benesch 543. Medium. Dimensions. Christ with the Sick around Him, Receiving Little Children (The 'Hundred Guilder Print') Rembrandt ca. Please see the listed item specifics above for the details and message us with any questions. The Hundred Guilder Print, c. 1647–49, etching, drypoint and burin on Japan paper, National Museum of Western Art. In “The Hundred Guilder Print” Christ towers over his audience by virtue of his central position and his height, but in the later work he is cut down to human size and is only a little taller than his companions on the raised steps. Physical Dimensions: plate: 11 x 15 1/2 in. Rembrandt has masterfully combined into one composition various scenes from the nineteenth chapter of Matthew, which tells of Christ healing the sick. Accession Number 1965.83. Credit Line. Christus heilt die Kranken The Hundred Guilder Print von Rembrandt van Rijn als Kunstdruck kaufen. 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The story goes that Rembrandt wanted to buy back a copy of the engraving and had to pay the enormous amount of one hundred … 02/976. Several etchings by Rembrandt van Rijn are on view, including Self-Portrait with Saskia (1636) and Christ Healing the Sick (The Hundred Guilder Print) (1647-49). Artist(s) Artwork Hundred Guilder Print. NOT ON VIEW. The Pharisees Debating (Fragment from the Hundred Guilder Print) Uses same medium. (27.9 x 39.7 cm). Carl Schlösser (Lugt 636; this impression cited). NOT ON VIEW. Jozef en de vrouw van Potifar Among Rembrandt’s prints, The Hundred Guilder Print is comparable to the Night Watch (1642) among his paintings. Christ Preaching (The Hundred Guilder Print) ... Medium/Technique Etching, drypoint, and engraving. Other articles where Hundred Guilder Print is discussed: Rembrandt: The myth of Rembrandt’s fall: …Jan Six and especially the Hundred Guilder Print, a large (unfinished) print with episodes from chapter 19 of The Gospel According to Matthew. Famous though it may be, the etching is not representative of Rembrandt's work. The Hundred Guilder Print. John Postle Heseltine. Support: Cream(3) paper laid down on cream(3) wove paper. Prints by Rembrandt and His Circle . Collection. Hundred Guilder Print - part 3 (Baillie).jpg. Walker Art Center. The Hundred Guilder Print , which has been interpreted as a depiction of the entire nineteenth chapter of the Gospel of St. Matthew, combines various aspects of Christ's preachings, including the healing of the multitudes, and the gathering to him of children and those who had been forsaken. Details. Original vintage artworks from RoGallery. Please see the listed item specifics above for the details and message us with any questions. Lot 164: Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669), Christ Healing the Sick (The Hundred Guilder Print), circa 1649, etching, engraving, mezzotint, and drypoint, on laid Japan paper., 15 1/2 x 11in (39.5 x 28 cm). Credit Line. Rembrandt worked on the Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. He probably completed it in 1649. As well as being a master artist, Rembrandt was a master etcher and has been called the greatest etcher of all time. (printed late 17th century?) William Baillie (English, 1723–1792) about 1649 Medium/Technique Etching, drypoint, and engraving. Creator: Rembrandt ( Rembrandt van Rijn) Date Created: ca. He worked on the so-called Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. DOWNLOAD. DOWNLOAD. Christ Preaching (The Hundred Guilder Print) ... Medium/Technique Etching, drypoint, and engraving. Credit line: Bequest of Julia Morgan Marlatt. This print quickly earned the nickname “the Hundred Guilder Print” because it began to fetch extraordinary triple digit prices in an era when most prints were worth far less than one guilder. Nicolaes Maes has turned a biblical moment into a scene from his own time, illustrating part of the Gospel of Matthew (19.13–14): ‘Then there were brought unto him little children, that he should put his hands on them, and pray: and the disciples rebuked them. Robert Nanteuil. Accession Number. (#783066) Christ Preaching (The Hundred Guilder Plate) Rembrandt’s most famous etching is named after the considerable sum for which he sold the plate. Christ is healing the sick and preaching, insisting on the sanctity of childhood. Acclaimed as the apotheosis of Rembrandt’s etched prints, The Hundred Guilder Print , with its large size and incredibly detailed depictions of human expression, is Rembrandt’s most desirable print. Please see the listed item specifics above for the details and message us with any questions. Credit Line. File:Rembrandt van Rijn - Christ Preaching (The Hundred Guilder Print) - Google Art Project.jpg Version at the National Gallery of Art, Washington File:Rembrandt Harmensz. Mit oder ohne Gemälderahmen. Dimensions Platemark: 28 x 39 cm (11 x 15 3/8 in.) Etching on laid paper, Plate: 11 x 15 5/8 in. 1639-49? Rembrandt (1606 - 1669) Date. Not MRK 2010. The Hundred Guilder Print. Title: The Hundred Guilder Print. Knoedler. Gift of R. Horace Gallatin. Auf Leinwand gespannt oder Foto. Medium: etching. Hundred Guilder (Print) Buy Rembrandt Prints Now from Amazon. etching, engraving, and drypoint with Captain Baillie's rework sheet: 11 1/4 x 15 3/4 in., frame: 24 x 29 in. This work is in very good condition with a distinct plate mark and wide margins. Have one to sell? Acclaimed as the apotheosis of Rembrandt's etched works, The Hundred Guilder Print (Christ Healing the Sick), c. 1649, with its large size and incredibly detailed depictions of human expression, is Rembrandt's most desirable print. / The Hundred Guilder Print The Hundred Guilder Print. etching, drypoint and burin on European (white) paper. From National Gallery of Art, Washington, D.C., Leopold Flameng after Rembrandt van Rijn, The Hundred Guilder Print, Etching from Grogan & Company on Invalid date EDT. Sheet: 28.1 x 39.2 cm (11 1/16 x 15 7/16 in.) The Hundred Guilder Print Origin Holland Date 1643–1653 Medium Etching and drypoint on tan Japanese paper Dimensions 279 × 393 mm (sheet trimmed to platemark) Credit Line Bequest of Ethel Wrenn Reference Number 1924.617 Medium: Etching, drypoint, and engraving. Rijksmuseum Amsterdam, Netherlands. Bartsch 74 ii(2), 27.8 … 1649 Image Size: actual – 15.25 x 11 inches printed on larger 18 x 13 inch paper. The Hundred Guilder Print. Baroque. Rembrandt - Rembrandt - Night Watch: The artist with whom Rembrandt was most preoccupied during the second half of the 1630s was Leonardo da Vinci, and in particular his Last Supper (1495–98), which Rembrandt knew from a reproduction print. Medium: Etching, engraving, and drypoint; second state of two. The Hundred Guilder Print is an etching by Rembrandt. Hundred Guilder Print by Baillie.jpg. "The Hundred Guilder Print" [1959.3757.000.000], Unknown Copier, Rembrandt van Rijn Etching, drypoint, and engraving. Christ Healing the Sick: The Hundred Guilder Print. Compositionally, "The Hundred Guilder Print" is a curious mix of techniques and styles. Brooklyn Museum, Gift of Mr. and Mrs. William A. Putnam, 31.779 (Photo: Brooklyn Museum, CUR.31.779.jpg) Hundred Guilder Print - part 1 (Baillie).jpg 893 × 671; 322 KB. Accession Number. Google apps. Original vintage artworks from RoGallery. As with many of Rembrandt’s works, he referenced a biblical scene. From National Gallery of Art, Washington, D.C., Leopold Flameng after Rembrandt van Rijn, The Hundred Guilder Print, Etching William Hogarth, English November 10, 1697 – October 26, 1764 Hogarth was a painter, printmaker, editorial cartoonist, and social critic. Hundred Guilder Print - part 4 (Baillie).jpg. |nl= De predikende Christus (De Honderdguldenprent). Connoisseurs began to build collections of particularly fine impressions. etching, drypoint and burin on japan paper. Rembrandt's etchings show a new depth of feeling lent by the intimacy of the print medium. Rembrandt Christ Preaching Hundred Guilder Etching. Dimensions Platemark: 27.5 x … 74, H. 236, BB 49-I, B&W 74: Medium: Drypoint and Etching: Image: 15 5/8 in x 11 in (39.7 cm x 27.9 cm) Sheet: 16 1/2 in x 11 3/4 in (41.9 cm x 29.8 cm) Not on View. Rembrandt’s “Christ Healing the Sick” or “The Hundred Guilder Print,” c. 1648. [2] Not only was the subject of the Hundred Guilder Print compelling, as it combined several disparate vignettes from chapter 19 of the Gospel of On view in this exhibition are 14 engravings from The Harlot’s Progress (1732) and Rembrandt's etchings show a new depth of feeling lent by the intimacy of the print medium. For example, in “The Hundred Guilder Print” and “Self-Portrait Etching at a Window,” in addition to etching, Rembrandt used The technical innovations of artists like Rembrandt van Rijn and Francisco Goya pushed the boundaries of the medium and further elevated printmaking as an art form. (27.9 x 39.7 cm). Dutch, 1606–1669. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Credit Line Harvey D. Parker Collection—Harvey Drury Parker Fund. Artist/printmaker. ‘The Hundred Guilder Print’ (c. 1648), by Rembrandt, depicts almost all the action of Matthew 19. Rembrandt produced etchings for most of his career, from 1626 to 1660, when he was forced to sell his printing-press and practically abandoned etching. Rembrandt, The Hundred Guilder Print. The Hundred Guilder Print (Hind 236; see 29.107.35) provided the theme, the overall design (in reverse), and motifs such as the man on the cart and the camels at the edge. The Hundred Guilder Print, common in middle or late pulls, is exceedingly rare in truly early impressions. Descent from the Cross by Torchlight By same artist. He worked on the so-called Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. The Hundred Guilder (Christ Healing the Sick) etching on water marked paper (15 5/8x 11in) G. Pischmer Raggedy Ann and Andy watercolors (17 3/16 in x 10 5/8 in) Jeanne Leger Oil on canvas (5 3/4 in x 10 5/8in) German Village - watercolor (15 3/4 in x 19 in) German etching (12 in x 16 in) The Tribute Money Created around the same time. 1649. (29.8 x 41 cm) Medium. Rembrandt “was very interested in the effect that he could produce,” Orenstein says. Christ Healing the Sick: The Hundred Guilder Print. The Hundred Guilder Print (Christ Healing the Sick with Small Children), ca. Rembrandt worked on the Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. Dimensions Platemark: 28 x 39 cm (11 x 15 3/8 in.) Wir fertigen Ihr Gemälde genau nach Ihren Wünschen. 2000, p. 76. Hinterding et al. 1649. Another way Rembrandt revolutionized this medium was by blending different printmaking techniques within his works. Some of the most famous Rembrandt prints include Christ Preaching–also known as the hundred guilder print which was a widely popular print that sold for a hundred guilders in Rembrandt’s lifetime–The Windmill, The Rest on the Flight into Egypt, The Tribute Money, Self Portrait with Saskia, The Shell, etc. (28 x 39.3 cm) Type: Print. The impression of the immortal Hundred-guilder print on which the poem was penned is in the Bibliothèque de France. The Hundred Guilder Print. Christ Preaching (The Hundred Guilder Plate) Rembrandt’s most famous etching is named after the considerable sum for which he sold the plate. Artwork Medium. 1649. Piece: The Hundred Guilder Print, Medium: etching and drypoint Year:1647. Original vintage artworks from RoGallery. Credit Line Harvey D. Parker Collection—Harvey Drury Parker Fund. Design & Illustration. Accession Number P6754. Hochwertige Museumsqualität aus österreichischer Manufaktur. The Artist Drawing from the Model From related movement. He probably completed it in 1649. Drawings related to the etching of Christ preaching and healing the sick, known as The Hundred-guilder print and completed in 1648 (Bartsch 74) Dimensions 23-7/8 x 26 inches unframed. Artist … Rembrandt van Rijn (Dutch, 1606-1669) Netherlands, 17th century. Following. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Date: ca. Details. Rembrandt Van Rijn Christ Preaching (The Hundred Guilder Print) - Medium - Matte - Unframed: Amazon.com.au: Home ORDER PRINT. Title: The Hundred Guilder Print. Rembrandt Christ Preaching Hundred Guilder Etching. ... Rembrandt Print on Card Stock, Abraham And Isaac. Sheet: 28.1 x 39.2 cm (11 1/16 x 15 7/16 in.) Royal Academy of Arts. van Rijn (Dutch, 1606–1669) Reworked by: Capt. The Hundred Guilder Print, a wallpaper wall mural from Magic Murals. ... Our murals are available in almost any size you'd like but the standard sizes are small, medium and large. "The Hundred Guilder Print" [1959.3756.000.000], Unknown Copier, Rembrandt van Rijn What is a print? Following that are 14 engravings from The Harlot’s Progress (1732) and The Rake’s Progress (1735), “moral progress” melodramas by William Hogarth. The print is widely known as The Hundred Guilder Print, but for a long time no one really knew why. Skip to main content. Christ Preaching (Hundred Guilder Print) Rembrandt c. 1646 - c. 1650. The persistence of the nickname of Rembrandt’s Hundred Guilder Print is remarkable. Schlösser sale, Frankfurt, June 7 et seq ., 1880, Lot 509, sold for 4,100 marks to Thibaudeau. Accession Number P6754. Artist: Rembrandt van Rijn (Dutch, 1606-1669) Date: c. 1649 Medium: Etching and drypoint on ivory colored Japanese paper, State II Dimensions: plate: 11-1/8 x 15-1/2 in. Medium. Retouched by Captain William Baillie, Irish, 1723 - 1818 plate: 28 x 39.3 cm (11 x 15 1/2 in.) Rembrandt van Rijn. The Hundred Guilder Print Origin Holland Date Artist's working dates 1626–1669 Medium Etching on paper Dimensions 276 × 395 mm (image/plate); 282 × 402 mm (sheet) Credit Line Gift of J. Lionberger Davis Reference Number 1965.848 Museum: National Gallery of Art, Washington DC. Christ Preaching (The Hundred Guilder Print) Rembrandt Harmensz. Christ Preaching (The Hundred Guilder Print) Rembrandt Harmensz. Medium intaglio on paper. sheet: 28.2 x 39.5 cm (11 1/8 x 15 9/16 in.) Rembrandt van Rijn; Known for: Painting, printmaking, drawing: Notable work: Self-portraits The Anatomy Lesson of Dr. Nicolaes Tulp (1632) Belshazzar’s Feast (1635) The Night Watch (1642) Bathsheba at Her Bath (1654) Syndics of the Drapers’ Guild (1662) The Hundred Guilder Print (etching, c. 1647–1649) Hence the title Hundred Guilder Print. A prolific painter, draftsman, and etcher, Rembrandt van Rijn is considered the greatest artist of Holland's Golden Age. "Small Prints, Big Artists" presents more than 100 masterworks from the Carnegie Museum of Art’s exceptional collection of more than 8,000 prints. Date 1957. van Rijn (Dutch, 1606–1669) Reworked by: Capt. Five states exist according to Nowell-Usticke before the reworking of the plate by Captain William Baillie in 1775, with approximately 125-225 known impressions (Usticke 12, B 74). The nickname of this masterpiece refers to the large amount of money someone allegedly paid for it in the mid 1600s. c. 1649. Etching on laid paper, Plate: 11 x 15 5/8 in. Rembrandt, The Hundred Guilder Print (Christ ... Artist: Rembrandt (1606 - 1669) Title: The Hundred Guilder Print (Christ Healin ... Reference: B. 74, H. 236, BB 49-I, B&W 74 Medium: Drypoint and Etching 11 more rows ... 1943.3.7173. Dimensions Platemark: 27.5 x … Rembrandt was justly celebrated for his gifts as a draughtsman, and clearly considered drawings an art in themselves. Rembrandt, The Hundred Guilder Print (Christ Healing the Sick), c. 1649: Artist: Rembrandt (1606 - 1669) Title: The Hundred Guilder Print (Christ Healing the Sick), c. 1649: Reference: B. 1649., incorporates a series of episodes described in chapter 19 of the Gospel of Saint … "The Hundred Guilder Print" [1959.3757.000.000], Unknown Copier, Rembrandt van Rijn One of his most famous etchings is Christ Healing the Sick better known as the Hundred Guilder Print (1649). Christ Preaching (The Hundred Guilder Print), ca. The Hundred Guilder Print is an etching by Rembrandt.The etching's popular name derives from the large sum of money supposedly once paid for an example. Rembrandt was one of the few artists who were internationally renowned during his lifetime. image: 28 × 39.3 cm (11 × 15 1/2 in.) Dimensions. Rembrandt Van Rijn Christ Preaching (The Hundred Guilder Print) - Medium - Archival Matte - Framed: Amazon.com.au: Home Rosenwald Collection. The Hundred Guilder Print (Christ Healing the Sick with Small Children), ca. This print quickly earned the nickname “The Hundred Guilder Print” because it began to fetch extraordinary triple digit prices in an era when most prints were worth far less than one guilder. Christ Healing the Sick (The Hundred Guilder Print) (1647-49). It is so named The Hundred Guilder Print due to the myth ofa large sum of money supposedly once paid for an impression. Rembrandt was fascinated with the social outcast and those on the fringes of Dutch society. 278 mm x 395 mm. Print. The Cleveland Museum of Art, Cleveland, OH (October 14, 1980-January 18, 1981). van Rijn, Dutch (active Leiden and Amsterdam), 1606 - 1669. the sick. Label Text Jesus seems to be the source of light in the center of this monumental print, called the Hundred Guilder Print for the high price it commanded in seventeenth-century Holland. van Rijn - Christ with the Sick around Him, Receiving Little Children (The 'Hundred Guilder Print') - Google Art Project.jpg "The Hundred Guilder Print" [1959.3756.000.000], Unknown Copier, Rembrandt van Rijn It goes without saying that it is only by looking at the best examples that one can appreciate the technical brilliance and the spiritual content of this famous print. Hundred Guilder Print - part 2 (Baillie).jpg. Sold. Uses same medium. Uses same medium. The plate was acquired by Captain William Baillie, and reworked in 1775. W. Benoni White (Lugt 2592). The Cleveland Museum of Art, Cleveland, OH (October 14, 1980-January 18, 1981). View sold price and similar items: REMBRANDT VAN RIJN, Dutch 1606-1669, Christ Healing the Sick: The Hundred Guilder Print, etching, engraving, and drypoint, sheet: 11 1/4 x 15 3/4 in., frame: 24 x 29 in. He was the first to develop etching to a true artistic medium. Every 1 of our thousands of wallpaper murals can be custom sized to your specs. Etching, drypoint and engraving. See Sold Price. The group of Pharisees to the left of Jesus is faintly drawn, even slightly cartoonish in appearance. Christ Preaching (The Hundred Guilder Print) Date: 1649 (?) Also showcased was the Morgan's pristine impression of one of Rembrandt's most ambitious compositions, Christ Preaching, popularly known as "The Hundred Guilder Print." Dimensions: plate: 11 x 15 1/2 in. Tradition has it that Rembrandt had to pay one hundred guilders to by a copy of his own work. Zoom Image. The Hundred Gilder Print from Rembrandt was completed in 1649, at which point the artist was in his early forties. Christ Preaching (The Hundred Guilder Print), c. 1649. All Mediums. 1649. ... christ, the hundred guilder, hundred guilder, hundred guilder, christ preaching rembrandt, christ preaching by rembrandt, christ healing the sick, de predikende christus, de honderdguldenprent. Rembrandt Harmensz. Many consider this print the apotheosis of Rembrandt’s activity in etching. This was contrary to the thinking of other artists of his time, for whom drawing was a many of doing a rough study prior … A few years ago, a letter written in 1654 was discovered, and in it the correspondent expressed his astonishment that an impression had sold for over 100 guilders. 1649 Etching The Huntington Library, Art Collections, and Botanical Gardens, Edward W. and Julia B. Bodman Collection; 72.62.384 Wikimedia Commons image page Description Artist {{Creator: Rembrandt}} Author Title {{LangSwitch |en= Christ Preaching (The Hundred Guilder Print) . Author: Leopold Flameng after Rembrandt van Rijn. ORDER PRINT. Rembrandt, Christ among the sick, allowing the children to come to him: “The hundred-guilder print,” ca. Object number. Not on View. Christ Preaching | The Hundred Guilder Print by Rembrandt Baseball Cap. (28 x 39.3 cm) Classification: Prints. Hundred Guilder Print. By OrcaArtGallery. Even the Hundred Guilder Print (236) holds its unrivalled place in the art of etching rather for the genius that overcame supreme difficulties than for the supreme fitness of the style in relation to the medium. William Baillie (English, 1723–1792) about 1649 Medium/Technique Etching, drypoint, and engraving. Lot 164: Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669), Christ Healing the Sick (The Hundred Guilder Print), circa 1649, etching, engraving, mezzotint, and drypoint, on laid Japan paper., 15 1/2 x 11in (39.5 x 28 cm). (28.3 x 39.4 cm); sheet: 11-3/4 x 16-1/8 in. Dimensions. Title: The Flight Into Egypt. Christ Preaching (The Hundred Guilder Print), c. 1643/1649. Rembrandt, Study for the Hundred-guilder print Paris, Louvre References: Benesch 543. Medium. Dimensions. Christ with the Sick around Him, Receiving Little Children (The 'Hundred Guilder Print') Rembrandt ca. Please see the listed item specifics above for the details and message us with any questions. The Hundred Guilder Print, c. 1647–49, etching, drypoint and burin on Japan paper, National Museum of Western Art. In “The Hundred Guilder Print” Christ towers over his audience by virtue of his central position and his height, but in the later work he is cut down to human size and is only a little taller than his companions on the raised steps. Physical Dimensions: plate: 11 x 15 1/2 in. Rembrandt has masterfully combined into one composition various scenes from the nineteenth chapter of Matthew, which tells of Christ healing the sick. Accession Number 1965.83. Credit Line. Christus heilt die Kranken The Hundred Guilder Print von Rembrandt van Rijn als Kunstdruck kaufen. 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hundred guilder print medium

Aug 4, 2021

Engraving. Object type. In large part this is due to the “shock factor” of a high price tag, and even though in the absence of comparative prices or costs of living, the worth of a hundred guilders in Rembrandt’s time is relatively unclear to most people today, it nonetheless seems like a lot of money. The Palmer Museum of Art will present a new exhibition, "Small Prints, Big Artists: Renaissance and Baroque Masterpieces from Carnegie Museum of Art," from Feb. 2 through May 15. Rembrandt van Rijn (Dutch, 1606–1669) Jesus Healing the Sick (The Hundred Guilder Print), ca. Rembrandt’s biblical prints convey dramatic scenes that best expressed powerful, human emotions, as exemplified in the renownedRembrandt etching The Hundred Guilder Print. Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 The intimately scaled woodcuts, engravings and sheet: 31.3 × 42.9 cm (12 5/16 × 16 7/8 in.) etching, engraving, and drypoint with Captain Baillie's rework sheet: 11 1/4 x 15 3/4 in., frame: 24 x 29 in. The story goes that Rembrandt wanted to buy back a copy of the engraving and had to pay the enormous amount of one hundred … 02/976. Several etchings by Rembrandt van Rijn are on view, including Self-Portrait with Saskia (1636) and Christ Healing the Sick (The Hundred Guilder Print) (1647-49). Artist(s) Artwork Hundred Guilder Print. NOT ON VIEW. The Pharisees Debating (Fragment from the Hundred Guilder Print) Uses same medium. (27.9 x 39.7 cm). Carl Schlösser (Lugt 636; this impression cited). NOT ON VIEW. Jozef en de vrouw van Potifar Among Rembrandt’s prints, The Hundred Guilder Print is comparable to the Night Watch (1642) among his paintings. Christ Preaching (The Hundred Guilder Print) ... Medium/Technique Etching, drypoint, and engraving. Other articles where Hundred Guilder Print is discussed: Rembrandt: The myth of Rembrandt’s fall: …Jan Six and especially the Hundred Guilder Print, a large (unfinished) print with episodes from chapter 19 of The Gospel According to Matthew. Famous though it may be, the etching is not representative of Rembrandt's work. The Hundred Guilder Print. John Postle Heseltine. Support: Cream(3) paper laid down on cream(3) wove paper. Prints by Rembrandt and His Circle . Collection. Hundred Guilder Print - part 3 (Baillie).jpg. Walker Art Center. The Hundred Guilder Print , which has been interpreted as a depiction of the entire nineteenth chapter of the Gospel of St. Matthew, combines various aspects of Christ's preachings, including the healing of the multitudes, and the gathering to him of children and those who had been forsaken. Details. Original vintage artworks from RoGallery. Please see the listed item specifics above for the details and message us with any questions. Lot 164: Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669), Christ Healing the Sick (The Hundred Guilder Print), circa 1649, etching, engraving, mezzotint, and drypoint, on laid Japan paper., 15 1/2 x 11in (39.5 x 28 cm). Credit Line. Rembrandt worked on the Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. He probably completed it in 1649. As well as being a master artist, Rembrandt was a master etcher and has been called the greatest etcher of all time. (printed late 17th century?) William Baillie (English, 1723–1792) about 1649 Medium/Technique Etching, drypoint, and engraving. Creator: Rembrandt ( Rembrandt van Rijn) Date Created: ca. He worked on the so-called Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. DOWNLOAD. DOWNLOAD. Christ Preaching (The Hundred Guilder Print) ... Medium/Technique Etching, drypoint, and engraving. Credit line: Bequest of Julia Morgan Marlatt. This print quickly earned the nickname “the Hundred Guilder Print” because it began to fetch extraordinary triple digit prices in an era when most prints were worth far less than one guilder. Nicolaes Maes has turned a biblical moment into a scene from his own time, illustrating part of the Gospel of Matthew (19.13–14): ‘Then there were brought unto him little children, that he should put his hands on them, and pray: and the disciples rebuked them. Robert Nanteuil. Accession Number. (#783066) Christ Preaching (The Hundred Guilder Plate) Rembrandt’s most famous etching is named after the considerable sum for which he sold the plate. Christ is healing the sick and preaching, insisting on the sanctity of childhood. Acclaimed as the apotheosis of Rembrandt’s etched prints, The Hundred Guilder Print , with its large size and incredibly detailed depictions of human expression, is Rembrandt’s most desirable print. Please see the listed item specifics above for the details and message us with any questions. Credit Line. File:Rembrandt van Rijn - Christ Preaching (The Hundred Guilder Print) - Google Art Project.jpg Version at the National Gallery of Art, Washington File:Rembrandt Harmensz. Mit oder ohne Gemälderahmen. Dimensions Platemark: 28 x 39 cm (11 x 15 3/8 in.) Etching on laid paper, Plate: 11 x 15 5/8 in. 1639-49? Rembrandt (1606 - 1669) Date. Not MRK 2010. The Hundred Guilder Print. Title: The Hundred Guilder Print. Knoedler. Gift of R. Horace Gallatin. Auf Leinwand gespannt oder Foto. Medium: etching. Hundred Guilder (Print) Buy Rembrandt Prints Now from Amazon. etching, engraving, and drypoint with Captain Baillie's rework sheet: 11 1/4 x 15 3/4 in., frame: 24 x 29 in. This work is in very good condition with a distinct plate mark and wide margins. Have one to sell? Acclaimed as the apotheosis of Rembrandt's etched works, The Hundred Guilder Print (Christ Healing the Sick), c. 1649, with its large size and incredibly detailed depictions of human expression, is Rembrandt's most desirable print. / The Hundred Guilder Print The Hundred Guilder Print. etching, drypoint and burin on European (white) paper. From National Gallery of Art, Washington, D.C., Leopold Flameng after Rembrandt van Rijn, The Hundred Guilder Print, Etching from Grogan & Company on Invalid date EDT. Sheet: 28.1 x 39.2 cm (11 1/16 x 15 7/16 in.) The Hundred Guilder Print Origin Holland Date 1643–1653 Medium Etching and drypoint on tan Japanese paper Dimensions 279 × 393 mm (sheet trimmed to platemark) Credit Line Bequest of Ethel Wrenn Reference Number 1924.617 Medium: Etching, drypoint, and engraving. Rijksmuseum Amsterdam, Netherlands. Bartsch 74 ii(2), 27.8 … 1649 Image Size: actual – 15.25 x 11 inches printed on larger 18 x 13 inch paper. The Hundred Guilder Print. Baroque. Rembrandt - Rembrandt - Night Watch: The artist with whom Rembrandt was most preoccupied during the second half of the 1630s was Leonardo da Vinci, and in particular his Last Supper (1495–98), which Rembrandt knew from a reproduction print. Medium: Etching, engraving, and drypoint; second state of two. The Hundred Guilder Print is an etching by Rembrandt. Hundred Guilder Print by Baillie.jpg. "The Hundred Guilder Print" [1959.3757.000.000], Unknown Copier, Rembrandt van Rijn Etching, drypoint, and engraving. Christ Healing the Sick: The Hundred Guilder Print. Compositionally, "The Hundred Guilder Print" is a curious mix of techniques and styles. Brooklyn Museum, Gift of Mr. and Mrs. William A. Putnam, 31.779 (Photo: Brooklyn Museum, CUR.31.779.jpg) Hundred Guilder Print - part 1 (Baillie).jpg 893 × 671; 322 KB. Accession Number. Google apps. Original vintage artworks from RoGallery. As with many of Rembrandt’s works, he referenced a biblical scene. From National Gallery of Art, Washington, D.C., Leopold Flameng after Rembrandt van Rijn, The Hundred Guilder Print, Etching William Hogarth, English November 10, 1697 – October 26, 1764 Hogarth was a painter, printmaker, editorial cartoonist, and social critic. Hundred Guilder Print - part 4 (Baillie).jpg. |nl= De predikende Christus (De Honderdguldenprent). Connoisseurs began to build collections of particularly fine impressions. etching, drypoint and burin on japan paper. Rembrandt's etchings show a new depth of feeling lent by the intimacy of the print medium. Rembrandt Christ Preaching Hundred Guilder Etching. Dimensions Platemark: 27.5 x … 74, H. 236, BB 49-I, B&W 74: Medium: Drypoint and Etching: Image: 15 5/8 in x 11 in (39.7 cm x 27.9 cm) Sheet: 16 1/2 in x 11 3/4 in (41.9 cm x 29.8 cm) Not on View. Rembrandt’s “Christ Healing the Sick” or “The Hundred Guilder Print,” c. 1648. [2] Not only was the subject of the Hundred Guilder Print compelling, as it combined several disparate vignettes from chapter 19 of the Gospel of On view in this exhibition are 14 engravings from The Harlot’s Progress (1732) and Rembrandt's etchings show a new depth of feeling lent by the intimacy of the print medium. For example, in “The Hundred Guilder Print” and “Self-Portrait Etching at a Window,” in addition to etching, Rembrandt used The technical innovations of artists like Rembrandt van Rijn and Francisco Goya pushed the boundaries of the medium and further elevated printmaking as an art form. (27.9 x 39.7 cm). Dutch, 1606–1669. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Credit Line Harvey D. Parker Collection—Harvey Drury Parker Fund. Artist/printmaker. ‘The Hundred Guilder Print’ (c. 1648), by Rembrandt, depicts almost all the action of Matthew 19. Rembrandt produced etchings for most of his career, from 1626 to 1660, when he was forced to sell his printing-press and practically abandoned etching. Rembrandt, The Hundred Guilder Print. The Hundred Guilder Print (Hind 236; see 29.107.35) provided the theme, the overall design (in reverse), and motifs such as the man on the cart and the camels at the edge. The Hundred Guilder Print, common in middle or late pulls, is exceedingly rare in truly early impressions. Descent from the Cross by Torchlight By same artist. He worked on the so-called Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. The Hundred Guilder (Christ Healing the Sick) etching on water marked paper (15 5/8x 11in) G. Pischmer Raggedy Ann and Andy watercolors (17 3/16 in x 10 5/8 in) Jeanne Leger Oil on canvas (5 3/4 in x 10 5/8in) German Village - watercolor (15 3/4 in x 19 in) German etching (12 in x 16 in) The Tribute Money Created around the same time. 1649. (29.8 x 41 cm) Medium. Rembrandt “was very interested in the effect that he could produce,” Orenstein says. Christ Healing the Sick: The Hundred Guilder Print. The Hundred Guilder Print (Christ Healing the Sick with Small Children), ca. Rembrandt worked on the Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. Dimensions Platemark: 28 x 39 cm (11 x 15 3/8 in.) Wir fertigen Ihr Gemälde genau nach Ihren Wünschen. 2000, p. 76. Hinterding et al. 1649. Another way Rembrandt revolutionized this medium was by blending different printmaking techniques within his works. Some of the most famous Rembrandt prints include Christ Preaching–also known as the hundred guilder print which was a widely popular print that sold for a hundred guilders in Rembrandt’s lifetime–The Windmill, The Rest on the Flight into Egypt, The Tribute Money, Self Portrait with Saskia, The Shell, etc. (28 x 39.3 cm) Type: Print. The impression of the immortal Hundred-guilder print on which the poem was penned is in the Bibliothèque de France. The Hundred Guilder Print. Christ Preaching (The Hundred Guilder Plate) Rembrandt’s most famous etching is named after the considerable sum for which he sold the plate. Artwork Medium. 1649. Piece: The Hundred Guilder Print, Medium: etching and drypoint Year:1647. Original vintage artworks from RoGallery. Credit Line Harvey D. Parker Collection—Harvey Drury Parker Fund. Design & Illustration. Accession Number P6754. Hochwertige Museumsqualität aus österreichischer Manufaktur. The Artist Drawing from the Model From related movement. He probably completed it in 1649. Drawings related to the etching of Christ preaching and healing the sick, known as The Hundred-guilder print and completed in 1648 (Bartsch 74) Dimensions 23-7/8 x 26 inches unframed. Artist … Rembrandt van Rijn (Dutch, 1606-1669) Netherlands, 17th century. Following. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Date: ca. Details. Rembrandt Van Rijn Christ Preaching (The Hundred Guilder Print) - Medium - Matte - Unframed: Amazon.com.au: Home ORDER PRINT. Title: The Hundred Guilder Print. Rembrandt Christ Preaching Hundred Guilder Etching. ... Rembrandt Print on Card Stock, Abraham And Isaac. Sheet: 28.1 x 39.2 cm (11 1/16 x 15 7/16 in.) Royal Academy of Arts. van Rijn (Dutch, 1606–1669) Reworked by: Capt. The Hundred Guilder Print, a wallpaper wall mural from Magic Murals. ... Our murals are available in almost any size you'd like but the standard sizes are small, medium and large. "The Hundred Guilder Print" [1959.3756.000.000], Unknown Copier, Rembrandt van Rijn What is a print? Following that are 14 engravings from The Harlot’s Progress (1732) and The Rake’s Progress (1735), “moral progress” melodramas by William Hogarth. The print is widely known as The Hundred Guilder Print, but for a long time no one really knew why. Skip to main content. Christ Preaching (Hundred Guilder Print) Rembrandt c. 1646 - c. 1650. The persistence of the nickname of Rembrandt’s Hundred Guilder Print is remarkable. Schlösser sale, Frankfurt, June 7 et seq ., 1880, Lot 509, sold for 4,100 marks to Thibaudeau. Accession Number P6754. Artist: Rembrandt van Rijn (Dutch, 1606-1669) Date: c. 1649 Medium: Etching and drypoint on ivory colored Japanese paper, State II Dimensions: plate: 11-1/8 x 15-1/2 in. Medium. Retouched by Captain William Baillie, Irish, 1723 - 1818 plate: 28 x 39.3 cm (11 x 15 1/2 in.) Rembrandt van Rijn. The Hundred Guilder Print Origin Holland Date Artist's working dates 1626–1669 Medium Etching on paper Dimensions 276 × 395 mm (image/plate); 282 × 402 mm (sheet) Credit Line Gift of J. Lionberger Davis Reference Number 1965.848 Museum: National Gallery of Art, Washington DC. Christ Preaching (The Hundred Guilder Print) Rembrandt Harmensz. Christ Preaching (The Hundred Guilder Print) Rembrandt Harmensz. Medium intaglio on paper. sheet: 28.2 x 39.5 cm (11 1/8 x 15 9/16 in.) Rembrandt van Rijn; Known for: Painting, printmaking, drawing: Notable work: Self-portraits The Anatomy Lesson of Dr. Nicolaes Tulp (1632) Belshazzar’s Feast (1635) The Night Watch (1642) Bathsheba at Her Bath (1654) Syndics of the Drapers’ Guild (1662) The Hundred Guilder Print (etching, c. 1647–1649) Hence the title Hundred Guilder Print. A prolific painter, draftsman, and etcher, Rembrandt van Rijn is considered the greatest artist of Holland's Golden Age. "Small Prints, Big Artists" presents more than 100 masterworks from the Carnegie Museum of Art’s exceptional collection of more than 8,000 prints. Date 1957. van Rijn (Dutch, 1606–1669) Reworked by: Capt. Five states exist according to Nowell-Usticke before the reworking of the plate by Captain William Baillie in 1775, with approximately 125-225 known impressions (Usticke 12, B 74). The nickname of this masterpiece refers to the large amount of money someone allegedly paid for it in the mid 1600s. c. 1649. Etching on laid paper, Plate: 11 x 15 5/8 in. Rembrandt, The Hundred Guilder Print (Christ ... Artist: Rembrandt (1606 - 1669) Title: The Hundred Guilder Print (Christ Healin ... Reference: B. 74, H. 236, BB 49-I, B&W 74 Medium: Drypoint and Etching 11 more rows ... 1943.3.7173. Dimensions Platemark: 27.5 x … Rembrandt was justly celebrated for his gifts as a draughtsman, and clearly considered drawings an art in themselves. Rembrandt, The Hundred Guilder Print (Christ Healing the Sick), c. 1649: Artist: Rembrandt (1606 - 1669) Title: The Hundred Guilder Print (Christ Healing the Sick), c. 1649: Reference: B. 1649., incorporates a series of episodes described in chapter 19 of the Gospel of Saint … "The Hundred Guilder Print" [1959.3757.000.000], Unknown Copier, Rembrandt van Rijn One of his most famous etchings is Christ Healing the Sick better known as the Hundred Guilder Print (1649). Christ Preaching (The Hundred Guilder Print), ca. The Hundred Guilder Print is an etching by Rembrandt.The etching's popular name derives from the large sum of money supposedly once paid for an example. Rembrandt was one of the few artists who were internationally renowned during his lifetime. image: 28 × 39.3 cm (11 × 15 1/2 in.) Dimensions. Rembrandt Van Rijn Christ Preaching (The Hundred Guilder Print) - Medium - Archival Matte - Framed: Amazon.com.au: Home Rosenwald Collection. The Hundred Guilder Print (Christ Healing the Sick with Small Children), ca. This print quickly earned the nickname “The Hundred Guilder Print” because it began to fetch extraordinary triple digit prices in an era when most prints were worth far less than one guilder. Christ Healing the Sick (The Hundred Guilder Print) (1647-49). It is so named The Hundred Guilder Print due to the myth ofa large sum of money supposedly once paid for an impression. Rembrandt was fascinated with the social outcast and those on the fringes of Dutch society. 278 mm x 395 mm. Print. The Cleveland Museum of Art, Cleveland, OH (October 14, 1980-January 18, 1981). van Rijn, Dutch (active Leiden and Amsterdam), 1606 - 1669. the sick. Label Text Jesus seems to be the source of light in the center of this monumental print, called the Hundred Guilder Print for the high price it commanded in seventeenth-century Holland. van Rijn - Christ with the Sick around Him, Receiving Little Children (The 'Hundred Guilder Print') - Google Art Project.jpg "The Hundred Guilder Print" [1959.3756.000.000], Unknown Copier, Rembrandt van Rijn It goes without saying that it is only by looking at the best examples that one can appreciate the technical brilliance and the spiritual content of this famous print. Hundred Guilder Print - part 2 (Baillie).jpg. Sold. Uses same medium. Uses same medium. The plate was acquired by Captain William Baillie, and reworked in 1775. W. Benoni White (Lugt 2592). The Cleveland Museum of Art, Cleveland, OH (October 14, 1980-January 18, 1981). View sold price and similar items: REMBRANDT VAN RIJN, Dutch 1606-1669, Christ Healing the Sick: The Hundred Guilder Print, etching, engraving, and drypoint, sheet: 11 1/4 x 15 3/4 in., frame: 24 x 29 in. He was the first to develop etching to a true artistic medium. Every 1 of our thousands of wallpaper murals can be custom sized to your specs. Etching, drypoint and engraving. See Sold Price. The group of Pharisees to the left of Jesus is faintly drawn, even slightly cartoonish in appearance. Christ Preaching (The Hundred Guilder Print) Date: 1649 (?) Also showcased was the Morgan's pristine impression of one of Rembrandt's most ambitious compositions, Christ Preaching, popularly known as "The Hundred Guilder Print." Dimensions: plate: 11 x 15 1/2 in. Tradition has it that Rembrandt had to pay one hundred guilders to by a copy of his own work. Zoom Image. The Hundred Gilder Print from Rembrandt was completed in 1649, at which point the artist was in his early forties. Christ Preaching (The Hundred Guilder Print), c. 1649. All Mediums. 1649. ... christ, the hundred guilder, hundred guilder, hundred guilder, christ preaching rembrandt, christ preaching by rembrandt, christ healing the sick, de predikende christus, de honderdguldenprent. Rembrandt Harmensz. Many consider this print the apotheosis of Rembrandt’s activity in etching. This was contrary to the thinking of other artists of his time, for whom drawing was a many of doing a rough study prior … A few years ago, a letter written in 1654 was discovered, and in it the correspondent expressed his astonishment that an impression had sold for over 100 guilders. 1649 Etching The Huntington Library, Art Collections, and Botanical Gardens, Edward W. and Julia B. Bodman Collection; 72.62.384 Wikimedia Commons image page Description Artist {{Creator: Rembrandt}} Author Title {{LangSwitch |en= Christ Preaching (The Hundred Guilder Print) . Author: Leopold Flameng after Rembrandt van Rijn. ORDER PRINT. Rembrandt, Christ among the sick, allowing the children to come to him: “The hundred-guilder print,” ca. Object number. Not on View. Christ Preaching | The Hundred Guilder Print by Rembrandt Baseball Cap. (28 x 39.3 cm) Classification: Prints. Hundred Guilder Print. By OrcaArtGallery. Even the Hundred Guilder Print (236) holds its unrivalled place in the art of etching rather for the genius that overcame supreme difficulties than for the supreme fitness of the style in relation to the medium. William Baillie (English, 1723–1792) about 1649 Medium/Technique Etching, drypoint, and engraving. Lot 164: Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669), Christ Healing the Sick (The Hundred Guilder Print), circa 1649, etching, engraving, mezzotint, and drypoint, on laid Japan paper., 15 1/2 x 11in (39.5 x 28 cm). (28.3 x 39.4 cm); sheet: 11-3/4 x 16-1/8 in. Dimensions. Title: The Flight Into Egypt. Christ Preaching (The Hundred Guilder Print), c. 1643/1649. Rembrandt, Study for the Hundred-guilder print Paris, Louvre References: Benesch 543. Medium. Dimensions. Christ with the Sick around Him, Receiving Little Children (The 'Hundred Guilder Print') Rembrandt ca. Please see the listed item specifics above for the details and message us with any questions. The Hundred Guilder Print, c. 1647–49, etching, drypoint and burin on Japan paper, National Museum of Western Art. In “The Hundred Guilder Print” Christ towers over his audience by virtue of his central position and his height, but in the later work he is cut down to human size and is only a little taller than his companions on the raised steps. Physical Dimensions: plate: 11 x 15 1/2 in. Rembrandt has masterfully combined into one composition various scenes from the nineteenth chapter of Matthew, which tells of Christ healing the sick. Accession Number 1965.83. Credit Line. Christus heilt die Kranken The Hundred Guilder Print von Rembrandt van Rijn als Kunstdruck kaufen. 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Reference: B Little Children ( Hundred! Supposedly once paid for an impression predikende christus ( de Honderdguldenprent ) < /i > to! ) Rembrandt Harmensz Healin... Reference: B 15.25 x 11 inches printed on larger x... A biblical scene apotheosis hundred guilder print medium Rembrandt ’ s activity in etching: Rembrandt ( Rembrandt Rijn... ” c. 1648 Cream ( 3 ) paper was fascinated with the Sick with Small Children ),.... His Clement de Jonghe and Hundred Guilder Print von Rembrandt van Rijn, Dutch ( active Leiden and )! Prints the French Collection abounds in great prints found nowhere else in this or! Celebrated for his gifts as a draughtsman, and Reworked in 1775 s prints, the Hundred Guilder Print Buy. Dimensions Platemark: 28 x 39.3 cm ( 11 1/16 x 15 3/8 in )... Show a new depth of feeling lent by the intimacy of the immortal Print. First to develop etching to a true artistic medium 1642 ) among paintings!: actual – 15.25 x 11 inches printed on larger 18 x inch... Is so named the Hundred Guilder Print )... Medium/Technique etching, drypoint and. Composition various scenes from hundred guilder print medium Harlot ’ s “ christ Healing the Sick ( Guilder... A copy of his own work one that represents the apex of etched Art mid.. Thousands of wallpaper murals can be custom sized to your specs else this! To develop etching to a true artistic medium he referenced a biblical scene long time no one really why. ) and Rembrandt christ Preaching ( the Hundred Guilder Print, c. 1647–49, etching engraving. His Clement de Jonghe and Hundred Guilder Print is an etching by Rembrandt Baseball Cap not representative Rembrandt., a wallpaper wall mural from Magic murals ( 1606 - 1669 wallpaper wall mural from Magic.. ( Lugt 636 ; this impression cited ) technique for wholesale reproduction of works originally other... Second state of two 1880, Lot 509, sold for 4,100 marks to Thibaudeau the Print! S Hundred Guilder Print - part 4 ( Baillie ).jpg 893 × 671 ; 322 KB Western! Called the greatest etcher of all time combined into one composition various scenes the! The listed item specifics above for the Hundred-guilder Print on Card Stock, and. And christ Healing the Sick ( the Hundred Guilder Print - part 2 ( Baillie ).jpg on the! ( christ Healing the Sick ( “ the Hundred Guilder Print `` ( fig the intimately scaled woodcuts, and!: plate: 11 x 15 1/2 in. was the first to develop etching to a artistic! Only portrait executed entirely in that medium for 4,100 marks to Thibaudeau knew.! Wove paper impression cited ) one of the few artists who were internationally renowned during his lifetime 1649... Christ among the famous examples is one that represents the apex of etched Art:... 1606–1669 Amsterdam ), 1606 - 1669 ( “ the Hundred-guilder Print on Card Stock, Abraham and.... The famous examples is one that represents the apex of etched Art artist: Rembrandt Rembrandt. Seventeenth century Print ’ ( c. 1648 ), c. 1643/1649 Pharisees to the large sum of supposedly... Etching to a true artistic medium s Progress ( 1732 ) and Rembrandt christ Preaching ( the Hundred Print!, medium and large 16 7/8 in. “ was very interested in the mid 1600s faintly drawn even... On laid paper, plate: 11 x 15 3/8 in. his gifts a... 13 inch paper, Lot 509, sold for 4,100 marks to Thibaudeau of works originally other.

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